More Than just another LUT Pack.

From a complete overhaul of color science, to dynamic range enhancement; this is a complete color science standard developed from the most Legendary Film stocks that inspired Generations of Film Makers. With new forms of features and processes new to the format of 3D LUTs, this an advancement in how we see LUTs all together.

Revolutionary

With features like dynamic color response, dynamic contrast handling, built in OLPF emulation, and dynamic range enhancement, this is a revolution in film emulation. Take your footage to a whole new level of quality with a color science overhaul. We built in over 30 processes new to the 3D LUT format in order to create something far more than a preset or color look. We even developed them to work with rec709 footage for the easiest and fastest workflows.

The Greats of every ERA
We’ve hand selected the 15 greatest film stocks of all time, and from all era’s. From 2011’s modern Kodak Vision3 family, to the Legendary Eastman Kodak Color II 100T 5247, we’re putting the power of the world's most loved film stocks in your hands. 
  • FILM STOCKS
  • Kodak Vision3 50D 5203
  • Kodak Vision3 250D 5207
  • Kodak Vision3 200T 5213
  • Kodak Vision3 500T 5219
  • Kodak EXR 50D 5245
  • Kodak EXR 200T 5293
  • Kodak EXR 500T 5298
  • Eastman Kodak Color II 100T 5247
  • Eastman Kodak Color II 400T 5294
  • FujiFilm Eterna 250D 8563
  • FujiFilm Eterna 250T 8553
  • FujiFilm Eterna 400T 8583
  • FujiFilm Eterna 500T 8573
  • FujiFilm Eterna Vivid 250D 8546
  • FujiFilm Eterna Vivid 500T 8547
  • Supports Choice of Camera
  • BMPCC: Bmd Film
  • BMCC: Bmd Film
  • BM4k: Bmd Film
  • 5DIII, 5DII, 5D: ML Raw and H.264
  • GH4: CineV, CineD, VLOG
  • DSLR's: H.264, AVCHD, ETC.
  • REC709 FOOTAGE
  • FILM STOCKS
  • Kodak Vision3 50D 5203
  • Kodak Vision3 250D 5207
  • Kodak Vision3 200T 5213
  • Kodak Vision3 500T 5219
  • Kodak EXR 50D 5245
  • Kodak EXR 200T 5293
  • Kodak EXR 500T 5298
  • Eastman Kodak Color II 100T 5247
  • Eastman Kodak Color II 400T 5294
  • FujiFilm Eterna 250D 8563
  • FujiFilm Eterna 250T 8553
  • FujiFilm Eterna 400T 8583
  • FujiFilm Eterna 500T 8573
  • FujiFilm Eterna Vivid 250D 8546
  • FujiFilm Eterna Vivid 500T 8547
  • BONUS STOCKS
  • FujiFilm F series 125T 8530
  • FujiFilm F­Series F­250D 8560
  • FujiFilm Reala 500D 8592
  • FujiFilm Super F Series F­125T 8532
  • FujiFilm Super F Series F­250D 8562
  • Eastman Tri­X 7266 (black and White)
  • Includes ALL Supported Cameras
  • BMPCC: Bmd Film
  • BMCC: Bmd Film
  • BM4k: Bmd Film
  • 5DIII, 5DII, 5D: ML Raw and H.264
  • GH4: CineV, CineD, VLOG
  • DSLR's: H.264, AVCHD, ETC.
  • REC709 FOOTAGE
  • Kodak Vision3 50D 5203
  • Kodak Vision3 250D 5207
  • Kodak Vision3 200T 5213
  • Kodak Vision3 500T 5219
  • Kodak EXR 50D 5245
  • Kodak EXR 200T 5293
  • Kodak EXR 500T 5298
  • Eastman Kodak Color II 100T 5247
  • Eastman Kodak Color II 400T 5294
  • FujiFilm Eterna 250D 8563
  • FujiFilm Eterna 250T 8553
  • FujiFilm Eterna 400T 8583
  • FujiFilm Eterna 500T 8573
  • FujiFilm Eterna Vivid 250D 8546
  • FujiFilm Eterna Vivid 500T 8547
  • Kodak Vision3 50D 5203
  • Kodak Vision3 250D 5207
  • Kodak Vision3 200T 5213
  • Kodak Vision3 500T 5219
  • Kodak EXR 50D 5245
  • Kodak EXR 200T 5293
  • Kodak EXR 500T 5298
  • Eastman Kodak Color II 100T 5247
  • Eastman Kodak Color II 400T 5294
  • FujiFilm Eterna 250D 8563
  • FujiFilm Eterna 250T 8553
  • FujiFilm Eterna 400T 8583
  • FujiFilm Eterna 500T 8573
  • FujiFilm Eterna Vivid 250D 8546
  • FujiFilm Eterna Vivid 500T 8547
  • BONUS STOCKS:
  • FujiFilm F series 125T 8530
  • FujiFilm F-Series F-250D 8560
  • FujiFilm Reala 500D 8592
  • FujiFilm Super F Series F-125T 8532
  • FujiFilm Super F Series F-250D 8562
  • Eastman Tri-X 7266 (black and White)
FULL PACK
$39.99
MASTER PACK
$59.99
< Image Slider REC709 to LWS LOG conversion 
LOG for Everyone
The power of LOG in the hands of all
We understand the Power of change. That’s why we've designed a special LOG profile for each film stock that gives you ultimate control over your footage. Our LWS LOG space gives you powerful control over every part of the image for easier grading and adjustment than ever before. We even built into it the ability to work with compressed Rec709 8 bit footage without banding, blocking, or other color issues we found when working with other LOG spaces from 10 bit footage. With each film LUT also comes the LOG space versions which converts the footage to our LWS LOG space after emulating the film stock.

Other LOG spaces typically compress the Dynamic Range of the footage, which is then lost in the grading process. This in turn also causes saturation in the image to become uneven. LWS LOG decompresses the compressed dynamic range, fixing the color saturation of the image, giving you the full potential of your creative mind.
< Image Slider REC709 to LWS LOG conversion 
Before: Rec709 LUT
After: LightWave Kodak Vision 3 50D 5203 
Before: Rec709 LUT
After: LightWave FujiFilm F-Series 250D 8560 FPE
Before: Rec709 LUT
After: LightWave Fujifilm Eterna VIVID 500T 8547 FPE 
Before: Rec709 LUT
After: LightWave Fujifilm Eterna 250D 8563 FPE
Before: Rec709 LUT
After: LightWave Kodak Vision 3 500T 5219 FPE
Before: Rec709 LUT
After: LightWave Kodak EXR 50D 5245 FPE